The Science of Fiction; Reality versus Fantasy
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I’ve noticed a lot of debate on reality versus fantasy recently and with SyFy promoting Caprica as more accessible by hiding the fact it’s a science fiction show, it prompted me to ask a question when Majik made a comment to the Galaxy Quest post.
With the theme of the Geeky List thing here, it’s no great secret that these days I’m all about the drama aspect of science fiction. Watching Ben Sisko struggle with a controversial decision, Adama giving Tigh chance after chance despite his mistakes and addiction, Sam Tyler (good name) trying to understand if he’s time travelling or going insane… or even a more mainstream idea of Marty McFly going back in time and trying to make sure his parents kiss on that dance floor…
But what about the science element of science fiction? Lost was officially bundled into the science fiction category once the survivors began to shift throughout time. When Desmond shifted there was a ‘sort of’ explanation. When they began jumping through time at random intervals, there was no explanation whatsoever. Is just having a time travel element enough? Or should there be a more logical explanation to it for it to be properly science fiction?
The thing that turns me off Science Fiction is the fiction element. I’m one of the seeming minority that just can’t watch Dr Who without wanting to chew the power cable of the TV in the hope that silence and death arrive at the same time to save me from evil Wheelie bins, Daleks that weigh just over 30 lbs and a screwdriver that seems to have inherited the “Superman effect”. Give me something based on science boundaries being pushed, and I’m fascinated – the moment reality is a dot on the horizon, I’m lost…
-Majik
And I see where he’s coming from entirely. Me, I’m more interested in the dramatic opportunities. Voyager had a character that was a hologram. There was a technical explanation and often technical episodes where there was a problem to be fixed which would give a more in depth look at how this sophisticated piece of science theory would come together… but the key t the episodes would be heavily based on ‘how does this effect the character’? Which is a valid point thats been around in sci fi for ages.
Is the machine alive? Can a machine have consciousness? The Next Generation really hit home on this with Measure of a Man – an episode which questioned the very being of a machine – but has there been too much focus on the emotional elements and not enough on the hard science?
The science was in part what dragged me into Trek in the first place. The technomagic was often unobtainable bullshit but it was all based on actual theory that people were either working on, or have worked on since. I’m still amazed they’ve came up with Geordies Visor and the Tricorder – even though both are extremely low tech in comparison.
Unfortunately they went too far by the time of Voyager and it was swaying to the side of bullshit more than theory and ‘Borg Nanoprobes’ became the same magic wand the sonic screwdriver had when RTD was writing Who. That made me appreciate the Who-isms more, I suddenly loved the anti-technobabble that some shows had user as overkill and dealing with transdimensional residue by calling it ’stuff’ and the ‘timey wimey detector, goes ding when there’s stuff’ type lines just began to amuse me.
When I’m writing it I have my own limited knowledge and reference books from some brilliant authors and scientists, one of whom does Trek science books which is brilliant for my time killing hobby, but I always try and put that in a realistic setting. In Next Gen, LeVar Burton tried to make the technobabble realistic by saying it as fast as he possibly could, as if he was speeding through the thoughts in his mind instead of making the words sound complex and awe inspiring. I like to remind myself of an engineer I know… he doesn’t spout off technobabble or lose you in thought, he knows what he’s doing… and thats all that matters to him.
I think theres room for both hard science and magical fantasy in sci fi – but more recently I’ve been interested in story and character more than challenging concepts. They’re good for the odd film or episode – Se7en was a good film, for example, but not every production could be like that and the less there are, the more special the film is – but overkill on something that’ll make you think is not enough to keep the audience emotionally interested, which is the main key to the current generation of TV – which is somewhat a sad thing to say.
Life on Mars is a good example. There was a sci fi element, but it wasn’t obvious… the story was more about the man and his struggle with the changes around him. BSG was less about the science and more about the personal struggles and overall story of being the last of humanity on the run. So I think I’m leaning towards the SF Drama more than anything these days…
But again, what about the science? Is it important to a story how the Doctor manages to regenerate? Or how the warp drive works? Does it really matter to the plot? Not often.
But how much bullshit can you spout before science fiction becomes science fantasy? Is the concept of time travel or the setting of a space ship enough to carry the science element, or is it important for the writers to know, or at least convey some sense of knowledge of how these things work and make us open our mind and question it – as Star Trek has done to many kids who are now scientists – or wave a magic screwdriver and just say ‘it works because it does’.
Arthur C Clarke said you can’t write science fiction without knowing anything about science. More recently shows have focused on personal elements and our own lead sci fi, Doctor Who, often see’s it’s science as magic that will be dull if delved into.
I know there’s a lot of you out there who are sci fi fans, have wonderful minds better than my own when it comes to how things work (like Maj) and those of you who just love to be entertained. And I’m in the middle of fantasy versus reality, so…
Who’s right? Who’s wrong? Does it even matter anymore? What do you think?
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Comments
Comment from theredeemed
Time 26.03.2010 at 11:13
BLOG! The Science of Fiction; Reality versus Fantasy – via @twitoaster http://theredeemed.co.uk/blog/the-scienc...
Comment from Marty Michaels
Time 26.03.2010 at 12:01
Course it doesn’t matter, what entertains you entertains you and that’s that.
Me? Well, as you know I’m more of a classic horror guy than a scifi guy anyway, but when it comes to scifi nothing turns me off quicker than so called “hard” scifi. Stuff in the line of the Star Wars OT is my thing – I don’t give a flying fuck HOW this stuff works or wether or not it’s grounded in current scientific thought, I just accept that it DOES work and enjoy the ride. How does a TIE fighter work? Who cares, they make an awesome noise and shoot lasers.
Comment from Bobatron
Time 26.03.2010 at 16:19
Good science is bad storytelling in my humble opinion. Look at old sci-fi shows. Did they challenge the mind? Perhaps, but the science theory being produced only serves to age the show.
Professor Chuck has a theory about a Newfangleatron. Scientists get excited, Chuck becomes a new science God. Starlog 2230 makes an episode about it and by the time it airs the theory is proven to be wrong, stupid and the world has moved on from the Newfangleatron to the Awesomemobile.
It’s the same with technology, the productions that age well are the ones that don’t survive by showing off new control panels but the ones that focus on drama and development.
James Tyler Reply:
March 27th, 2010 at 00:21
I’m not sure about the science, but I’m with you on technology and style. If thats the forefront of the movie, it ages badly. Plus, if thats the forefront of the movie… it’s likely going to be shit as you have nothing else to say other than “check out how cool we look!”
There are some outstanding movies and episodes that feature a lot of questions surrounding science or science theory, but they’re at their best when theres an emotional or ethical question. Without that involvement from the audience, to me it’s just a lecture and thats what the Discovery channels for.
Comment from ACK37
Time 26.03.2010 at 16:33
The odd nod to something is perfectly fine but if you overload on science or go out of your way to explain everything you end up boring the audience to tears.
Not to say hardcore science doesn’t have it’s place. It does. But the less the better.
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Time 26.03.2010 at 23:15
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Comment from Bilbo
Time 26.03.2010 at 23:26
Amazing science doesn’t meld well with amazing TV and now it’s an entirely lost art. Instead a new art has formed and story telling has gone in a direction of emotionally and intellectually simulating essence instead of a high brow intellect.
Science fiction is just for the intelligent elite, it’s for everyone and like any other story telling genre it should remain that way for the most part.
James Tyler Reply:
March 27th, 2010 at 00:40
I assume you mean ‘isn’t'? Perhaps. But I don’t think it’s mutually exclusive. Some shows don’t need it, some movies rely on the concept but theres an in betwee level where the two can be married.
Comment from Marty Michaels
Time 27.03.2010 at 10:26
See? This is why Star Wars is set “a long time ago in a galaxy far, far away.”
Comment from talis74
Time 29.03.2010 at 12:47
I think it’s important to retain a sense of scientific reality but not to dwell or lecture the audience on that reality. Even if it verges into fantasy they could magically come up with something to say how it works even if the components are theoretically impossible.
James Tyler Reply:
March 29th, 2010 at 17:15
So, kinda like warp drive? It’s all science theory and very unobtainable (despite some grand efforts), but in the show theres a logic to it that makes some for of sense?


James Tyler Reply:
March 27th, 2010 at 00:17
One of Trek’s technical masterminds, Michael Okuda, said in an interview that a scientist called and asked the simple question “How do the transporters work?” All he could say was “Very well, thank you.”
I do appreciate when shows make such powerful detail and gain an understanding of how things work. Or when designers work on stuff and ensure that it makes some form of sense – whether that be Joss Whedon and crew making sure the Serenity had a logic to it’s design, or John Eaves figuring out the nooks and crannies of the Enterptise E – but it often takes away rather than adds for me.