Star Trek V: The Final Frontier

So it comes to this. Star Trek V: The Final Frontier. The film that won the 1989 Razzies for Worst Picture, Worst Director (poor Shatner), Worst Actor (poor, poor Shatner) and Worst Screenplay (poor, poor, poor Shatner). The film that every critic that ever drew breath called one of the worst movies ever made. The film that even Gene Roddenberry described as “apocryphal at best.” The film that, had it not been for the 25th anniversary of the series, would have ended the franchise and all but killed the careers of all involved.

But you know what? I kinda like it.

Yes, really. For all its faults – and there are a lot of them – TFF remains one of my favorite Trek adventures for reasons I’ll get to after I do my best to describe the plot. After the events of TVH and the introduction of the Enterprise A (which, if this film is to be believed is a barley functioning peice of shit), Kirk, Spock and McCoy are called back from shoreleave to rescue some hostages on Nimbus III. Meanwhile, a Klingon comander has decided to hunt Kirk down, soley for teh lulz apparently. On Nimbus III, our intrepid heroes encounter Sybok, Spock’s hitherto-unmentioned half brother, who has rejected all that logical bullshit and is living la vida loca. Sybok admits that the hostage situation was a lie to lure the Entrprise to Nimbus III so Sybok and his band of wierdos could use the ship to go to the mythical planet of Sha Ka Ree, where he hopes to meet god. Sounds like a sort of Vulcan Songs of Praise, doesn’t it. Anyway, they get there, god turns out to be an asshole (surprise, surprise) and the Klingon catches up with them but is thwarted by Spock and some fat Klingon. The end.

Ok, so even I’ll admit, the plot is terrible, so why am I saying that I like the film? Well, for one thing, it shows the relationship between Kirk, Spock and McCoy better than any Trek story before or since. There are several scenes in the film where K, S and McC are the only characters on screen and the writing in these scenes is nothing short of incredible, showing the warmth, the humor and the love the three men share (no homo). Wether they’re sitting round a campfire singing “Row Row Row Your Boat” and roasting “marsh mellons” or trapped in the brig discussing escape and Spock’s brother, these scenes are some of my favorite in the entire Star Trek canon.

On the subject of Spock’s brother, Sybok is an interesting character. Originally intended to play the role was Sean Connery (hence “Sha Ka Ree” – say it in Connery’s voice), Sybok is, to quote James Tyler at the Redeemed, “the anti-Spock.” The first son of Sarek and a full blooded Vulcan, Sarek, as previously noted, rejected the Vulcan notions of logic and suppressed emotion and embarked on a quest to find the planet Sha Ka Ree. Fair enough. But don’t you think, at some point during the 10 or 12 years or so they’ve known each other, Spock would’ve at some point mentioned to his best friends Kirk and Bones that he had a brother? Take my mate James, for example. I’ve known him for far less time that Spock knew Kirk and yet I know that he has not only a brother, but also a sister. We never sat down and had a conversation about siblings, but these things come up in conversation. Regardless of this gaping problem with the plot, Sybok is played the grand Star Trek villain style by Lawrence Luckinbill, an actor who, criminally, had/has done mostly one shot TV guest apperances before and since. A shame, because Sybok is one of the best things about the film.

Ok, so that was the good, time for the bad and the ugly. We’ve already seen that the plot is awful, but that’s not the only bad thing about this movie. The special effects are noticably sub par – except the ones shamelessly lifted from previous movies, of course. ILM, who had done the great effects in previous Trek movie adventures, were too busy working on Indiana Jones and the Last Crusade (as was Connery, incidentally) and Ghostbusters 2 to do the effects for the film and so the effects work was outsourced to Bob’s Motion Capture Shack (not really) and suffered as a result. The anticlimactic ending is the most obvious casualty of this as the effects in the original Shatner vs rock monsters (ten of ‘em!) ending were considered too ridiculous looking to show audiences.

Another problem is the secondary villain, the Klingon captain Klaa – the most generic Klingon ever seen on Star Trek, notable only for his hair metal hairdo and his impressively cantilevered first officer.

Overall, TFF is a movie that, if you’ve not seen it for a while, or dismissed it on the strength (or weakness) of its reputation, I’d strongly recommend picking up and giving another go. It’s not perfect, but it’s a hell of a lot better than any of the TNG movies (controversial!), and the Kirk, Spock and McCoy scenes alone are worth the price of admission. Feel free to fast forward past Uhura’s naked fan dance.
Comments
Comment from James Tyler
Time February 9, 2010 at 5:07 am
The plot is dreadful. Though that Klingon couple are some of the geekiest people ever under the makeup, which amuses me a bit.
Sybok… he’s just phenomenal. Connery couldn’t pull the role off as well, maybe I’m wrong but wth him in the role it’s seem way too cheesy and shit. With the Sybok we got, we got a man who brought a lot of energy and life into the character and really stole the show.
My ony real, genuine complaints are: Scotty could see that pipe (nice callback to it in the new movie though); When did Sybok have time for a hair cut on his way to see God; Shatner directed it.
It’s a nice little caper, not the best in terms of writing, directing of effects… but it’s the best film to see the relationship between the trio.
The effects crew did get one thing right though. And that clearly wasn’t the shuttlebay. Seriously – compare the shot of the shuttlebay from TMP that made the ship look absolutely huge, to the tiny one we got here that looked even smaller than the TOS version…
Oh yeah, good things the effects team did – the shot of the Enterprise when the trio returned. When Spock and McCoy had a few words to say about the classics, there’s a lovely low-rear shot of the E.
Comment from Marty Michaels
Time February 9, 2010 at 5:19 am
Wasn’t that shot lifted from The Voyage Home?
As for Sybok’s hair cut, you’re gonna tell me there isnt a barber shop on the Enterprise?
Comment from James Tyler
Time February 10, 2010 at 3:59 am
I don’t think so, the only shots I remember crossing over were in Spacedock on the E-A reveal. Unless there’s something I’ve forgotten – IV drags for me once they get back to the 23rd century.
Comment from James Tyler
Time February 10, 2010 at 3:59 am
Oh, and while I remember… one of my favourite lines from V “Not in front of the Klingons.”
Comment from James Tyler
Time February 10, 2010 at 4:01 am
And, yes, third reply… I’m being forgetful today… barber shop on the Enterprise, very likely. Though hopefully someone more useful than the D’s Mr Mott. Though if they wanted to go all sci fi, they could do it in the transporter. Jump in looking like Kevin Smith, exit looking suave and ready for action.
Comment from Marty Michaels
Time February 10, 2010 at 5:47 am
I guess you could comb your hair up like those X Factor twins, lie down in the transporter with the top inch or so of hair on the circle thing and then energise so it beams the top of your hair out into space, thereby making it shorter.
Comment from Mikey
Time February 8, 2010 at 10:57 am
I was expecting a full blown “this movie sucks”. Glad that did not occur. I think it’s a brilliant piece of work. It’s the only film that comes even close to Khan and SOS musically. The opening and closing scenes in the mountains are inspired. And however hokey the plot..it’s a quintessential Star Trek adventure.