Marty Michaels

Considering the fact that he’s one of the most famous fictional characters of all time, and undoubtedly the most famous superhero ever, there’s never been a truly great Superman movie. Superman: The Movie, the Richard Donner cut of Superman II and Superman Returns have their moments, but there’s never been one single movie that Superman fans can hold up and point to and say *this* is Superman. To be fair, I don’t believe any comic book movie can be held up as the definative representation of the comic, but for whatever reason, the Last Son of Krypton has had a tougher time than most, so today we’re running down the top ten worst Superman movie moments. Onward!

10. Worst, robot, ever – Superman III

Superman III is not a good film. By any stretch of the imagination. The entire film is deeply, deeply flawed with a third rate Lex Luthor trying to monopolise the world’s coffee supply whilst Richard Pryor gurns and skis (more on that later) his way through the movie. The end of the film has Superman battling a robot (I forget how it gets here, but it’s not important.) Now, Superman has fought robots before (paging Metallo…) but this has got to be the worst robot the Man of Tomorrow ever faced, but also one of the worst robots well, ever.

9. “Put my daddy down!” – Superman II

Richard Lester is an Englishman who likes silliness and lowbrow comedy. Why, then, he was chosen to replace Richard Donner (who had already shot at least half of the movie) on Superman II. His ineptitude when it comes to adapting an American comic book reaches its nadir when the Kryponian badguys led by General Zod roll into a small midwestern town and begin running riot. Fair enough. There’s a moment when Zod and co. use some sort of telekinisis to raise a local farmhand about 20 feet in the hair and his tousel-haired son begs Zod to put him down. Again, fair enough, Except that Lester decided to cast the most English boy he could find, with a cut glass accent, to play said farmboy. So we have an American midwest farm town populated by English public schoolboys. Superfail. In the Donner cut, this scene is replaced with a kickass assault on the White House by Zod and pals, which is way, way cooler.

8. Lex Luthor: bald or not? – Superman IV: The Quest For Peace

This is something I’ve never seen referrenced anywhere else and I seem to be the only one who’s noticed it, which confuses me greatley since it sticks out like a sore thumb. In Superman and Superman II (not to mention Superman Returns) Lex Luthor is bald and ashamed of the fact so he wears various wigs to cover his bald head. Now, Gene Hackman had a full head of hair when he played Luthor for the first and second times, he used his own hair for the scenes when Luthor wore a wig and wore a baldcap for the bald scenes. However, in the years that passed between Superman and Superman IV, Gene Hackman had gone bald somewhat and declined to wear a wig. Therefore, in storyline terms, Luthor is wearing a wig with a bald spot and a high hairline to hide the fact that he is bald. I can’t seriously be the only one who noticed that!

7. Richard Pryor: Shins of Steel – Superman III

Christopher Reeve was perfectly cast as the Man of Steel, but the *real* Man of Steel in the Superman movies was Gus Gorman, the nerdy computer programmer played by Richard Pryor. Now, let me say that Pryor was a funny, funny man and he turns in a decent comedy performance in Superman III, but the script and direction let him down. There’s a scene where Gorman is on skis and ends up skiing of the top of a building, falling at least 50 stories before landing on an awning, breaking through, and landing on the street, on his feet. He makes a “comedy” pained face and walks away. Really. Superman is a Kryptonian uber-mensch, and yet he at least registers pain from time to time.

6. Piss on the entire point of the story… to save a few bucks – Superman II

Superman, at its heart, was a movie about a son with two fathers, both of which are lost to him. His real dad, Jor-El sacrifices himself to give his son a chance for life and his adoptive dad, Jonathan Kent (played by the great Glenn Ford) has a heart attack and dies when Clark is in his teens, giving Clark the motivation to become a hero: “all these powers and I couldn’t even save him.” It’s actually pretty powerful stuff, Jor-El’s speeches from across time and space to his son, telling him “you will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father, the son.” The entire movie is based on this idea, with Clark fufilling the potential and claiming his birthright. Then, in the first sequel, Supes goes to the Fortress of Solitude and suddenly his mother and a random Kryptonian (who was against Jor-El in the original, and yet is now teaching his son) show up. All to save a few dollars by not hiring Marlon Brando again (even though the movie was bound to make a million billion bucks.) Thankfully, Richard Donner corrected this mistake when he was allowed to recut the movie and insert the footage he had shot that Laster rejected.

5. The Opening Sequence of – Superman III

Speaking of Richard Lester, if you ever needed more proof of his towering unsuitability for a Superman movie, look no further than the opening sequence of Superman III. To be fair, it’s a remarkable bit of slapstick cinema, but it’s so out of place in a Superman movie, neglecting to use to classic Superman swoopy blue credits or even John Williams’s stirring Superman march, opting instead to use a completley unmemorable peice of music and credits that look they were made using Windows Movie Maker. American TV execs may be idiots, but even they had the sense to replace the opening with something more in line with the first two and dubbing in a pretty kick ass version of the Superman theme. The strangest thing, and I’ve got no way to prove this, is the odd British-ness of the actors falling over, almost being drowned on dry land and being pied in the face. Metropolis is in America, right? And yet these people look like they’d be more at home in the Rovers’ Return.

6. Superman = Jesus – Superman Returns

There’s always been a bit of a messianic overtone with the Superman story – baby is born who shows extraordinary powers whilst growing up and goes on to save the world. But this has always been in the background, overlooked by kids who love the flying and stuff, but noticed by more astute viewers, giving the story another dimension to enjoy. Superman strikes the balance between fun and subtext prefectly, but, when the time came to make Superman Returns, Bryan Singer decided to beat us over the head with the message, at the expense of a lot of the fun stuff.

5. The Kents are strange – Superman: The Movie

Speaking of the Superman origin story, do the Kent’s actions upon finding young Kal-El strike anyone else as a bit… peculiar? Imagine you were in their place. You’re driving along and something explodes nearby. You stop to investigate and discover a young naked boy who can lift a truck above his head. Any reasonable person would look at this as being a tad weird and would probably drop this devil child off at the nearest police station or hospital. But no, what the Kents do is take this kid home with them and raise him as an All-American boy. With superpowers.

4. Superman rebuilds the Great Wall… with mind bullets! – Superman IV

Superman’s powers: flight, super strength, super speed, x-ray vision, heat vision, super breath, super hearing, super smell and enchanced stamina. I see nothing about telekenis in that list, and yet in Superman IV, following the destruction of the Great Wall of China, the Metropolis Marvel displays a hithero-unseen abilty to move objects with him mind (and a strange blue laser beam thing), rebuilding the Great Wall in a matter of seconds. He later uses this ability to levitate falling people and lower them safely to the ground. The Quest For Peace is undoubtedly one of the worst movies ever made, but the way it messes around with Superman’s powers annoys me greatley. That said, every Superman movie ever made does the same thing, ascribing to Supes powers that his creators never dreamed of. And after reading the next two entries on this list, I think you’ll agree that Superman’s mind over matter in VI is the least of our problems.

3. Clark Kent and the Rohypnol kiss – Superman II and Superman IV

Clark Kent, the All-American farmboy who grew up, moved to the big city and, paragon of virtue that he is, would never say boo to a goose, can a pretty creepy guy. Never more so than at the end of Superman II and again in Superman IV when he kisses Lois Lane with a mouthful of roofie saliva that makes Lois forget everything that has just happened. What I want to know is, does he ever get tempted to misuse this? Does he scour nightclubs and back alleys, picking up women and having his way with them before planting the kiss of forgetfulness on them? Or does he ever put it to good use, smacking supervillains on the lips making them forget their evil plans? It might be a bit wierd, but that would save him a hell of a lot of legwork. Like, for example, at the end of Superman when Luthor tells Big Blue about the missles, why didn’t Superman pucker up and plant one on Luthor, making him forget his entire evil scheme?

2. Turning the world back – Superman

Ok, so we’ve seen Telekenitic Superman and Flunitrazepam Superman, let’s try Time Travel Superman on for size. At the end of the first movie, Superman saves the day and puts wrong to right, but Lois Lane dies in the process. So, Supes flies up into space and flies backward around the world so quickly that the planet spins backward, turning back time, bringing Lois back to life. How this doesn’t case the faultline to reopen, the valley to reflood and how Supes doesn’t meet himself is glossed over and not mentioned. It also makes Superman look like a bit of a douche, that he’s willing to fuck with history in order to bring his chain-smoking, hatchet-faced crush back to life. So, yeah, in addition to ESP and Rohypnol saliva, the Superman of the movies is also capable of turning back time. Again, why does he never use this power again. Lex Luthor is threatening to destroy New York with a lazer but I don’t want to miss the end of Dr. Who, so I’ll just let him go ahead and do it; I can always turn the world back and stop him.

1. The polythene “S” – Superman II

And so it comes to this – the single most idiotic moment in a series full of such moments. The end of Superman II.  After somehow creating holographic versions of himself to fool General Zod and his cohorts – a WTF moment in itself – Superman peels the “S” off of his chest and throws it, fresbee style, at Zod’s retarded henchman, causing it to wrap around him and trap him in a giant red and yellow polythene bag. He falls to the ground and seconds later the bag disintergates and the guy’s ready to attack again. Family Guy put it best: “that was a minor inconveince.” Without doubt, the silliest moment in the entire series and truly deserving of the top place of today’s list. Not only is it idiotic, but insulting to the viewer’s intelligence – and that, even in a comic book movie, is unforgivable since it destroys any sense of verismillitude or suspension of disbelief that the viewer has developed. That said, there’s so much idiocy in Superman II that it’s close to impossible to build up any suspension of disbelief at all. Thank fuck then, for the Richard Donner cut, which cut out 99% of this nonsense and presents us with, shock horror, a pretty good movie.

Superman: The Movie, Superman II: The Richard Donner Cut and Superman Returns are all good movies, but it’s a real shame that only one Superman movie is truly great (the first, of course). The first would be the definitive Superman movie if the studio had allowed Donner to use his original ending – Superman saves the day and the missle thrown into space knocks Zod and co. out of the Phantom Zone and brings them to earth, setting up a cliffhanger for the second movie and also eliminating the stupid time travel and forgetful kisses. The Donner cut of Superman II opens with the original ending of Superman and ends with the Kryptonian villains killing Lois, causing Supes to do his time travel trick, which whilst still annoying, works a lot better than in the original movie. In any case, that’s our top ten worst Superman movie moments. I know I missed the whole “breathing in space” thing from Quest For Peace, and if that bugs you, let me know below. End transmission.

Tags: comics, movies, robots, sci fi, superman, top ten